TVIT CONVERGENCE


CONVERGENCE STATEMENT

CONVERGENCE

CONVERGENCE of technology and content provision has progressed slowly but surely between 1995 and 2002.

Although Satellite and Cable technology has progressed, Broadcast activities in content making have muddled along using Expensive Broadcast SDI 270 mbps systems with most major broadcasters and post production houses sticking with what is now redundant, expensive technology.

The traditional broadcast SDI systems are basically analogue network topologies passing digital signals.

Some manufacturers have tried to bridge the gap with hybrid systems offering SAN (storage networks) with SDI interfacing with consequent automation inflexibility on mixed networks.

Conversely Multimedia activities in the IT arena have progressed to a high level of applications with a huge reduction in cost compared to SDI systems.

The IT sector, although prolific in 'new' ideas similar to the current trend  in music 'covers' of old songs, unfortunately has not grasped the needs of the now educated television viewer, expecting viewers to be interactive when they want to be entertained.

Admittedly there is a movement to PC viewing but there are huge holes in what is being provided on networks and what is emerging.  Time Scheduling of programme content to viewing demographics being a perfect example of where IT and Web based televisual entertainment falls over.

I wonder how often do the audience at a theatre or cinema will get up and 'point and click' on the actors?  If they did they would probably get thrown out and booed by the audience.  Entertainment interactivity is shown by applause and the return for more in a 'brand loyalty' model.  (Interactivity is ok for experimental theatre where everyone can take their clothes off ... but not for the majority viewers/entertainees I'm afraid)

We feel our activities in economically molding the convergence of technology and content will help provide the best solutions in the most important areas ... that of the viewers, our consumers.

By Guy Lakeman (Copyright 2002)


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